The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing.
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“My Mexican-ness is very abstract,” said Rick Owens shortly before presenting this show. Titled Tecuatl after his maternal grandmother’s maiden name Owens’s mother hails from Puebla and is of Mixtec heritage this collection was the first time he has used his work as a lens through which to explore his south-of-the-border roots. As he said at the top, however, Owens’s relationship with those roots is abstract and that abstraction was reflected in the collection. One prosaic reason for this is he only revisited his mother’s homeland this year, for the first time in 30. Another is that just as in the last-season cycle of awesome Larry LeGaspi shows his themes are, ultimately, just one of the raw materials in a creative clay that is every season shaped by his design and in his own image. Zippered jumpsuits, some half-worn to optimize ab exposure, looked toughly utilitarian, while short-hemmed tailored jackets in white snakeskin over low-neck loose T-shirts and white sequined zippered pants appeared twistedly slick especially when teamed with a pompadour. According to Josef Albers, “in art, tradition is to create, not to revive,” and in this highly artful collection, we saw an outstanding expression of the tradition in clothing created by Owens. Purple Label is Ralph Lauren’s jewel in the crown, a cultivated exercise in fine tailoring, where a quintessential sense of ease is infused with sophisticated polish. A palette of soft tonal colors, a slightly vintage insouciance, a fluidity of fit and balance of proportions come to mind when thinking of Purple Label’s signature aesthetic. Yet at today’s presentation at the label’s sumptuous Milanese headquarters, what stood out was a gorgeous, visually compelling lineup of brightly colored evening suits in shades of saturated yellow, fuchsia, and orange. Slim fitting and sharply cut in silk shantung, they looked exceptional, pointing towards an updated approach, with a zest of chic playfulness: “They’re tailored with a lighter construction, but still maintaining sartorial proportions,” said John Wrazej, executive vice president and creative director of men’s design. “They’re all handmade; it’s our uncompromising way of tailoring. They’re probably among the best suits you can find.” However, speculation is its own creature that continues far longer than is logical or rational. Speculation can drive prices to the stratosphere and often does. Energy stocks during the last Recession were highly speculated. Anything connected with shale or sand oil was way above the fundamentals at times that.
This is why the several tons of damp clay taken from the L.A. studio of British artist Thomas Houseago—who has a statue currently installed in the center of the Palais de Tokyo courtyard as part of his “Almost Human” show at the Musee de l’Art Moderne—made for such a fitting addition to this show’s mise-en-scène. Houseago, Owens reported, had been on set to oversee the installation of the clay and even ended up creating a small sculpture (one that Owens fully intended to pinch, fire, and add to his collection). Houseago was just one in a chorus of creative voices that harmonized around this collection. Although there were some very overtly personal and Mexican touches, such as sequins reflecting China Poblana festival wear and the Aztec Eagle logo of the United Farm Workers’ association, for whose Mexican migrant pickers Owens’s father often worked as a translator in the California courts (these garments and a piece of jewelry will be sold to benefit the UFW), he said he was very careful to avoid the folkloric side of Mexican culture. Instead, he said, he had become fascinated with the effect of Mexican culture on the work of Josef and Anni Albers, the subject of a recent-ish show at the Guggenheim. Owens expounded: “I loved that combination of modernism with something so ancient. Looking at the drawings they made that were inspired by the sites was the Mexico angle I wanted.” With the exception of some Perspex-heeled platforms and rough tire-sole cowskin sandals that caused much trepidation as the models descended steps while keeping their eyes fixed on the pit, it was also a collection abrim with highly wearable pieces. Personally I loved the cotton jackets in black and white set with austere, angled grids of ribbon and lacing, which was sometimes reflected in a riot of lacing on a Veja collab sneaker and looped into the fabric of some loose wool track pants. The sequins incorporated one-color oversize tailoring and looked pleasingly sleazy, while metallic-finished outerwear boasted a brutal industrial shimmer. In collaboration with Champion, Owens primitivized its cotton jersey via transformation into togas and loincloths. The fundamentals of most companies are not keeping up with the financial damage done by the pandemic and as the US continues to have soaring covid cases this will further create more stress on corporations. For now speculation is running ahead of the fundamentals especially for this quarter. Biotechnology is in a huge bubble in terms of the numbers of new Biotech IPOs being underwritten that have no revenues or earnings but retail investor rush to buy them.
Silhouettes were full, and the assembly of pieces used to achieve them—what the designer called a “potpourri”—was eclectically and raffishly combined. “What I really wanted to express was the free soul of the artist, and how he creates his own elegance,” said Curradi backstage. “There were elements mixed from the ’90s, the ’80s, and the ’40s.” The result was a collection that did all the hard work in conjuring an aura of insouciant panache so its wearers won’t have to. Salut! Robert Geller is about to embark on a yearlong sabbatical to Portugal with his family, taking a pause from the New York fashion world for a bit. The connection between Geller’s stepping back from the circus of fashion and his circus-themed Spring 2020 collection isn’t that direct he says he started to think of the circus and Sarah Moon’s hazy photographs on a flight last year but it’s hard not to draw a comparison. Even without the pomp and circumstance of a show, Geller is making some of American fashion’s most show-stopping menswear. As always, his base is his materials and dyes. In the former category, he has incorporated spandex into more of his fabrications, inspired by his ongoing collaboration with Lululemon. Geller’s comfortable, athletic garments have only become more agile. Even more invigorating is his new palette. Rather than labor over an exact shade of sandstone or clay, as he often does, Geller’s ditched his earth tones this season in favor of something more fabulous. The slime green stripes that cut through a nylon coat or the metallic azures that make up a shimmering suit are far more electric than what we’ve come to expect from the earthy designer. But if it’s not evident yet, Geller is ready for a change. The experimentation doesn’t stop there. For the first time in Geller’s career, he is using sequins on tanks, trousers, and shorts. “I wanted to get myself out of my comfort zone,” he explains. It’s a funny way of putting it; the backs of the sequin garments are actually made of nylon ripstop, so they are comfortable to sit in. Even with a fantastical mood haunting this season, amplified by wigs by Chrystoph Marten, Geller can’t help but be pragmatic. Yes it is a bubble, although most people want to believe it is not. If you study the fundamentals like the Income Statements quarterly for the past 12 quarters you will find that fundamentals are lagging for many of this high-flying companies. If a company has negative earnings, as some tech companies that are being speculated do have negative or declining earnings or revenues or both, then this is considered a bubble.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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