This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping
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There were a lot of shower-cap–frilled lizard attachments in plastic sheeting or built into sheer, sometimes rainbow-toned jackets, plus some dramatically angular outerwear and quilted tailoring. The peppy-color silk shirting, leggings (really), and bodystockings sometimes seem transported less from an alien dimension than the race track or vaudeville but suited most of all for a batshit-crazy dance party. The fishnets, devil-horned parka, and gimp mask were more than a nod and a wink to other off-the-dance-floor delights. Say you’re a tourist in Paris, sitting in the McDonald’s in the Champs Élysées and a policeman suddenly storms in. You’d be frightened, right? Police inaction is a common enough sight on the Champs Élysées, what with it being one of the regularly chosen sites for the Gilets Jaunes weekend anti-government rioting. But no. This wasn’t the weekend; it was the opening of the Vetements takeover of the capital’s biggest McDonald’s branch. But a shock, nevertheless especially because the models appeared through the front door, from a truck parked on the street. Demna Gvasalia is playing dangerously close to the narrow distinction between dystopian satire and reality this season. The “menu” for the fashion sitting was stamped in black on McDonald’s napkins. Capitalism and Global Mind Fuck were two of the “courses.” Later on the word Bose, with (Angry in German) as a translation. Messing with corporate logos and the signifiers of generic clothing have always been central to Vetements’s methods. It plays ever more directly now into the agenda of critiquing the crumbling social decay of late-stage capitalism a direction Raf Simons seemed to be pointing toward in his menswear show, as well. With Vetements, fingers of sarcastic blame are liberally jabbed at corporate managers and bankers, at populism, the internet, at the tide of waste caused by the fashion industry’s relentlessly profit-driven overproduction. In a way, there was a form of circularity going on here at McDonald’s. A very personal one, linking Gvasalia back to his childhood. “When the Soviet Union ended in Georgia when we were kids, the first thing to open that came from the West was McDonald’s,” he said. “It was like the maker of capitalism, and all the rich people from all around would bring their kids for birthday parties. It was like the place to be! We’d never seen a Big Mac or drank a Coke. I always wanted to be able to have my own celebration in McDonald’s. And now—I can!”
Despite being a label so linked to the outdoors, White Mountaineering’s Paris shows have only ever taken place indoors, which always felt a little incongruous. Today, the covered-yet-open-air terrace of a Sorbonne University building was a game-changer; what a difference a breeze makes! The models didn’t need to be trail running or BMX biking two of the extreme sports that inspired Yosuke Aizawa this season for the audience to imagine guys wearing his high-impact looks off the runway. The Tokyo-based designer explained that he imbues pieces with a “discord ambiance,” which might mean anything from a T-shirt boasting overlaid letters spelling nothing to Gore-Tex outerwear paired with linen pants. These “coincidences,” as he also called them, were a way of integrating pieces that wouldn’t normally be found in either athletic attire or streetwear think classic shirting adapted with technical straps and pleated shorts that looked more like skorts. Aizawa goes through phases of favoring bold prints, and today’s lush and color-saturated botanicals might have been his boldest yet. If common sense would suggest these have limited interest, the designer has pointed out before that people are very happy to experiment beyond black (although those pieces too were hardly boring). Plaid, animal spots, paisley, and painterly camo made for a particularly dynamic lineup of active eccentrics guys who not only sported next-level sneaker designs, but also a smear of colorful eye makeup. Compared to the Sacai show earlier in the day, White Mountaineering isn’t perceived with the same cachet despite many overlapping elements (both mastered their soundtracks, it should be said). Make no mistake, Aizawa’s vision is his own and if athleisure trends start to shift towards these dandy-ish mash-ups, we’ll have him to thank. Walter Van Beirendonck called the clothes in this showing of kinky sportswear deluxe “Alien Vintage” and said that the collection was designed to attire his fantasy community of extraterrestrials. As he mused in his notes: “I pictured being introduced to a small part of the alien folk, a community with such a limitless diversity of forms and looks.” Those forms included four-armed biped, as evinced by outfits with two extra sleeves below the armpit, and aliens with fearsomely hunky quads as per the cool gathered baggy pants in primary-color nylon.
Woolmark Prize nominee (and Copenhagen resident) Willy Chavarria returned to the runway circuit for Spring 2020, having skipped the Fall 2019 season. “I mean…summer, scheduling, it was the right time to get back. But I also think it doesn’t necessarily need to be a show, season after season.” He’s a fringe figure in New York City fashion, and he’s benefitted from keeping an arm’s-length attitude as his profile has grown. With Spring, he went for a “new take” on minimalism, but one that pulled from a transcontinental party scene in the ’90s particularly a nightclub he used to run in San Francisco called The Love Garage, which would see an influx of a more New York-centric clientele and wardrobe. “Everything became a little slicker and darker.” Part one of this collection featured long jackets in black satin, mesh shirts in black, generously cut jeans in extra-processed washes, and a top that graphically spelled out “Breaking News,” befitting of…well, the hyper-evolution of the 24-hour news cycle from Chavarria’s chosen timeframe right up to yesterday’s latest Mueller hearing. The second portion of his lineup saw a collaboration with K-Swiss, which Chavarria called an “aspirational brand as a kid growing up in California,” and here the mood turned to late-’80s-workout-video neons and layering. These pieces will sell, but the first half was stronger. Chavarria’s most notable strength rests in his calibration of queerness and masculinity (especially so when that calibration involves his Chicano background). Yet there is something resolutely femme, too, in the afterburn. He mentioned that gender fluidity doesn’t have to be androgynous or genderless. These clothes had that code in place; satin dressing-room bombers over bare, muscled chests, or cropped boxy shirts as tops, worn with the aforementioned denim. In some ways, you could see hints of what the men wear on the current hit TV show Pose, though that program takes place a few years earlier than the ’90s. But the look, and its progression, absolutely resonates now. Chavarria is a smart, worldly creative who knows how to be all-inclusive while still carving out his own distinct M.O.; it all feels very true.
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